ALECHINSKY Pierre. HAYTEROPHILIES. - Lot 7

Lot 7
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4000 - 6000 EUR
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Result : 10 420EUR
ALECHINSKY Pierre. HAYTEROPHILIES. - Lot 7
ALECHINSKY Pierre. HAYTEROPHILIES. Paris, Atelier 17, 1952-1953 and La Hune, 1968. Preface by Jean-Clarence Lambert. In-folio (580 x 395 mm); in publisher's jacket, title label illustrated by the artist. Suite of 11 original etchings and aquatint signed and numbered 10/30. Signed autograph letter on dust jacket flap: "à l'adresse (c'est le cas) de mes chers amis éditeurs, Bernard et Jacqueline, leur Pierre. 4 novembre 1985." Unique edition of 36 copies on Rives vellum (n°10). After the dissolution of the Cobra group in 1951, Pierre Alechinsky moved to Paris. Although introduced to etching during his time at La Cambre from 1944 to 1948, it was with Stanley William Hayter, in Atelier 17, that the painter developed "[his] appetite for copper and acid." Between 1952 and 1953, following in the footsteps of Max Ernst and Yves Tanguy fifteen years earlier, Alechinsky perfected his technique, discovering in particular Hayter's single-plate polychrome printing process, whose color variation is based on the difference in viscosity between the inks. In this place of learning and exchange, Alechinsky invited Corneille and Hérold and met Miró, Giacometti and Calder, as well as his future assistant Jean Clerté. From 1967 to 1983, Clerté printed almost all the painter's etchings, working with him to establish the definitive state of the copperplates. Printer: Jean Clerté chez Pierre Alechinsky, Bougival. Bibliography: Rivière, 85-95 - The Complete Books, 29
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